This website focuses on alternative fired ceramic art created by Luke Metz. These pieces are purely decorative and not for food or water. My functional ware can be viewed at www.PotsByLuke.com.
The banner image was taken in Sedona, Arizona during the Slide Rock fire of 2014. The insert on the left a flattened raku bottle named “Two Faces”. See more images and information about Sedona on the lower part of the contact page.
You can visit the Pots By Luke studio in Sedona, Arizona by appointment. His work is currently shown in two local galleries.
The banner piece above is a raku piece titled “Linear Exploration”. It won third prize at the Annual Members Exhibition. See my awards page.
The 37th Annual Members Exhibition at the Sedona Arts Center runs from March 3rd to April 3rd from 10 -5 every day. The three pieces I submitted were juried into the show. The awards are announced at the gala opening on Friday, March 3rd from 5 – 8 pm – there will be food and drink.
The Renegades show features art from 10 local artists. I am one of the artists. The show is in the lower gallery of the Sedona Arts Center and runs from Wednesday, March 22nd to April 4th. The hours are 10 – 5 every day.
The Sedona Arts Center
15 Art Barn Road
Sedona, Arizona 86336
The year has been busy so far. I have been focusing on pit-fire and saggar firing with a little raku thrown in. I am also working on a couple of four place dinner sets that will be reduction fired to cone 10 with a Shino glaze – I expect to post pictures in the Spring. Here is a gallery of some of my work from the past month. Stay tuned, I have a couple of shows in March and will do another post in about a week.
I have been making raku for both my Cosmic Series and for my Banded Series. Saggar firing has been an area of experimentation lately. On the functional side I have been producing mugs, tea bowls, tumblers, pitchers, bowls, platters and baskets. I have also finally started on experimenting with cone 6 glazes – much room for exploration. I will be creating some pit-fire pieces in February. This is a particularly busy time of the year for sales, and I am glad that I have a healthy inventory.
Hyper-Dimensional Polymorphic Exploration (top image) is an out of the box exploration of form and texture. I had a lot of fun with this piece and with pushing its limits. The Stained Glass Image piece from my raku banded series is more exploration of banding on raku pieces. Not shown are a number of raku banded series vessels as well as a couple of stunning raku wall platters in this series. Happiness is a whimsical raku piece from my raku cosmic series that has four smiling faces (one on each side). It has a number of “halo” images. This piece makes me smile. The Porcelain Vase has some interesting use of Tea Dust Tenmoku glaze. The Saggar piece was a fun exploration using many organic and inorganic components for the firing. I am excited to explore using other materials. Color Splash from my raku poly-tonal series represents more playing with color and masking. The featured image (the banner of this post) is the life guard station at La Jolla Beach in California at sunset.
The annual Made In Clarkdale show was only four days this year and the format of the show changed dramatically. Some attendees loved the changes and some did not. That being said, this was the financially most successful year for the show. My sales were very good and so I am happy with the show.
My wife and I were able to get away for a couple of long weekends. We enjoyed a lazy few days at the beach in La Jolla and visiting friends in the area. We also had a long weekend in Santa Fe staying with friends there. Of course we spent an afternoon visiting numerous galleries on Canyon Rd and we also visited a glass studio (fascinating and beautiful).
I couldn’t get myself to do a post without a photograph. This teapot has a two cup capacity. Sales have been good in October and I am looking forward to good sales in November. In addition to loose and fluid forms, I have been playing with raku, making porcelain chawans (Japanese tea bowls) and I am planning to do some saggar firing.
Art Lessons show The Verde Valley campus of Yavapai College juried nine student works from all their ceramic students into the student show. One of my raku pieces is in the show. The gallery is open Monday through Thursday from 10:00 am to 3:00 pm. The show runs through November 10th.
YC Art Gallery 601 Black Hills Dr. F-105
Clarkdale, AZ 86324
The 30th Annual Made In Clarkdale Artists’ Showcase I have again been juried into the annual Made In Clarkdale show. This year the show has a totally revised format and runs for four days. This has traditionally been a very popular show – attendance at the gala opening (Friday, December 2 from 6 pm to 9 pm) has been close to a thousand. The show runs from December 1st to December 4th from 10 am to 7 pm except Sunday when the show closes at 4pm. I will feature lots of new work. If you can, I encourage you to visit the show.
The Clark Memorial Clubhouse Auditorium 19 North 9th Street
Clarkdale, AZ 86324
I have been playing with raku again. This is some of the work I fired in the last month. I visited Oregon a couple of months ago and had an opportunity to visit the studio of John Dodero in Jacksonville (you can see his work online). It is unusual to find a production potter who does raku ceramic art. I was fascinated to see his studio set-up, work process, and his work. I purchased a beautiful and very unusual Shino piece from him – unfortunately it did not survive the shipping. The featured piece on this post was inspired by his work. Two of the photos below show different views of the same piece…
There is a family of glazes called “Shino” that was first developed in Japan in latter half of the sixteenth century. A Shino can go white, cream, orange, brown and black (even on a single piece). The use of this glaze is quite tricky. Many factors in the formulation, application, and firing of this glaze affect the final result. Shino glazes can produce very disappointing results and are prone to glaze faults such as crazing and crawling. However, with careful control of numerous variables, stunning results are possible. To further cloud the issue pieces treated in the same manner and fired at the same time in the same kiln can produce remarkably different results.
At Coconino Community College under the tutelage of Don Fethkenher, we did an in-depth exploration of Shino glazes. We lived and breathed Shino for a month. Five of us made hundreds of pieces and tested these with different glaze formulations and different treatments and methods of application. We tried putting different Shino glazes over each other. We tried applying various chemicals over the glaze. We tried different methods of drying the ware once the glaze was applied. The list is much more extensive than mentioned here.
Having spent a semester studying this glaze, I feel I know Shino a lot better. As an analogy: I no longer feel like I am in kindergarten but am far from being an expert.
All the photos in this post are glazed with Shino (other glazes may be overlapped) and were made in June of 2016 (summer semester). As you can see, quite a variety of results are possible from Shino. The pieces shown in this post were selected from about 70 pieces I personally made.
Leopard Spot Shino (so called because of the dark spots) is particularly elusive and those who know its secret guard it carefully! The large image at the beginning of this post illustrates this glase. Carbon trapping (carbon is trapped in the glaze during firing) is essential for this particular result and is what causes the black areas. I am pleased to show an example of Leopard Spot Shino (no, I will not kiss and tell).
In addition to carbon trapping, the Shino glaze can under the proper conditions take on an opalescence that can be quite stunning. I have included a picture of this occurence; unfortunately the opalescence does not show well in the photograph. The piece has a beautiful metallic sheen.
It’s past time for my quarterly blog post. A little bit of everything has been the name of the game. In addition to cone 10 oxidation and reduction firing, I have done raku, pit fire, and soda fire.
The spring semester at Yavapai College with Tom Schumacher involved a lot of exploration and experimentation. I worked with doing some assemblages of thrown pieces, texturing, and briefly tried shellac resist. I have become very interested in tea pots and Japanese tea bowls – I think I will be playing with these for a quite a while.
Using both stoneware and porcelain I created a diverse body of work. Trying some new glaze combinations yielded some unexpected results and some of them are exciting.
I love the subtle patinas of pit fire pieces and it is always a surprise to see the final result. “Ancient Dancer” (shown above) is multiple thrown pieces and slabs assembled into a work that is about 22 inches tall.
My friend and teacher Don Fethkenher allowed me to share in a soda firing in his kiln. This is my second soda firing and I am starting to get a better feel for the technique – it is substantially different than the more traditional oxidation and reduction firings I have been doing. I feel like I am just scratching the surface and look forward to more opportunities to explore this exciting technique. Speaking of Don, I will be studying with him in June at Coconino Community College.
Also coming up shortly is a workshop with Patrick Shia Crabb.
Two new galleries (for me) are showing my work. Zen Mountain Gallery in the intriguing town of Jerome, Arizona (an old mining
town that hangs off the side of Mingus Mountain) has a very tasteful selection of wonderful art and I feel privileged to be part of this gallery. I have just set up at the Prescott Art Market along the outdoor walk/drive way. This is in an attractive mall in Prescott, Arizona and hopefully will have good traffic (this is a brand new location for the gallery). I am continuing to be part of the Village Gallery of Local Artists in the Village of Oak Creek (Sedona) – I also maintain their website.
Much of what I have been doing lately is pushing me out of my box and comfort zone. This includes my ideas for marketing my work. My work this year is growing, shifting and I think getting better. I am excited with some of the results and have many ideas for new directions of play. Although I still appreciate classic forms, I am very interested in playing with more fluid shapes, with altering forms, and with assembling thrown pieces as well as playing with making some hand built functional pieces. I have doing much of my work in college studios so that I can do cone 10 firing and to have more interaction with other artists. I anticipate doing more work this summer in my studio.
The collaborative piece I created with Wendy Bialek is complete. I made the porcelain raku fired base and she did the copper wire weaving.
I am thrilled to report that the variety of things to explore in ceramics has kept me inspired and I still love this medium. On a personal note my wife, Sue, and I have been hiking regularly with friends.
My next update will probably be in August or September. If you are in the area please come visit one of my galleries or contact me to visit my studio. Hope to see you this summer.
This fall has been extremely busy. I have been in four different art shows. In order to attend Coconino Community College in Flagstaff, Arizona I have been driving about an hour each way. The instructor, Don Fethkenher, has been an inspiration and I feel that my work is maturing under his tutelage. I have completed a substantial body of cone 10 reduction pieces and am pleased with the results. All of the photos of my ceramic art shown in this post are part of this body of work completed this fall in Flagstaff.
With all its beautiful switchbacks Oak Creek Canyon is a daunting drive in the winter (Flagstaff is at 7,200 feet in elevation). Because of this I will forego attending Coconino Community College this spring and instead will attend Yavapai College in sunny Clarkdale, Arizona (elevation 3,500 feet). Even though I consider myself a professional, I love learning and attending classes. Also, I find my fellow students refreshing and inspiring. I plan to return the Coconino Community College for the summer semester and am looking forward to the excellent quality of instruction that is provided there. I suspect that I may always be a student.
I still love doing raku firing and have included a photo a piece I made in Flagstaff and fired this December at my studio in Sedona.
I had not done much traveling for a while but this fall has been chock full of traveling adventures. My wife and I took a long weekend to ride the Narrow Gauge Railroad from Silverton, Colorado. On the way we stayed at the historic La Posada Inn in Winslow, Arizona (remember the song?). The Turquoise Room in the hotel serves some of the best food in northern Arizona. Winslow, we will be back!
This fall I did an eight day retreat with Bentinho Massaro at the Mount Madona retreat center. It was life changing! My wife and I were also able to spend a weekend in Colorado Springs, Colorado with Bentinho and snuck in a visit to the Turquoise Room on the drive back (one of the best and most fun.
Over Thanksgiving my wife and I visited La Jolla and loved every minute of it. I have included a few photos from this trip.
Our cat, Roshi, has loved our departures. Many different friends come by and play with him while we are gone. He knows he is royalty and thinks he is in Heaven. He is looking forward to our next adventure (and so are we). We have no idea when or what this may be…
My son just got his three year coin this fall. Congratulations son on your continued sobriety. We are all very proud of you.
That’s about it for now. Thank you for tuning in. Happy Holidays!
September has been a busy month. I have been involved with a soda firing and also a pit firing. Samples from both firings are shown here.
The featured image above is a pit fired piece measuring 12″ high by 16″ wide by 7.5″ deep. Yes that is a piece of turquoise in the lip.
The members co-op show at the Sedona Arts Center was also in September – it is now over. I am getting ready for a show in Sedona in November and also the Made in Clarkdale show in December.
I have been experimenting with porcelain. Some of the pit fire pieces I did were made with Coleman Porcerlain (cone 10) as well as some raku pieces. The raku pieces are a particular challenge given that porcelain is a very closed or dense clay body and tends to crack from the thermal shock generated during the raku process. Shown in this post is a porcelain raku piece that hopefully will result in a collaborative piece with metal weaving done by Wendy Bialek-Kling. If we take the project to completion, I will post an image of the final result.
September was also the beginning of the fall semester at Coconino Community College. I continue to work with Don Fethkenher at the college. Since this involves an hour commute each way, this has kept my schedule quite full. I hope to include some images from this class in my next post.